YOUR WORK SHOULDN'T NEED YOU IN THE ROOM TO EXPLAIN IT.

Juul is an illustrator and graphic designer in my Rotterdam studio. She needed one place for a portfolio and shop that could handle illustration, video, products, and collaborations.

We moved from pencil sketches to Figma, then refined the direction together before I started building. A custom CMS supports video, GIFs, and images, while a custom storefront on Ecwid feels native to the site.

A site that grows with her work, sells her products, and has led to new referrals.

At Plasticiet, hundreds of material samples left the workshop each week with no reliable way to track where they went or what interest they generated.

I built a web platform that tracks samples, maps interest by colour, and helps anticipate demand.

Plasticiet uses it daily to see product interest and anticipate demand.

Forsyth of Denny needed to see which wind farms are entering likely repowering windows, so commercial effort could focus on live opportunities instead of another spreadsheet.

I turned public renewable-energy records into a private geospatial decision system with coordinate conversion, resilient data normalisation, an indicative 25-year model, filters, a sortable pipeline, linked map interactions, and direct enquiry paths.

The current dataset maps 1,461 wind-farm records across operating, construction, consented, and planning stages, with 115 entering their estimated repowering window by 2030. The dashboard and source code are private.

McNally’s has been lifting out of Monaghan since 1958 and has erected over 6,150 wind turbines worldwide, but its story was scattered across a 2010 Flash site, an archived Windhoist site, and hundreds of unsorted photos.

A fast static site for the EU arm of Forsyth of Denny. I sorted the client’s photo archive into a project gallery, recovered and sharpened old wind photos from the Wayback Machine, rebuilt the original logo animation, added a press archive of 16 trade articles, and built an enquiry form that saves every lead before it is emailed.

A site that matches the scale of the work and gives contractors a direct route to discuss a lift.

Paul is a Melbourne sculptor and a friend from university. After a phone call about what he needed, he decided I was the right man for the job: a home for work in cast aluminium, polystyrene, clay and jelly, with a way to take commissions.

The cast-surface photo fills the first screen, then the work runs across all four materials with an aluminium pour playing among it, and enquiries come through a form instead of an email address. Along the way I built an animated background of columns traced from his 2020 casts, and material buttons that act out their materials. Both were set aside in review and are kept ready to come back.

A quiet site that puts the sculpture first, with commissions open through the enquiry form.

Floor is a Rotterdam photographer who needed a professional online presence now, while her larger portfolio was still taking shape.

I fully designed the visual concept and built a focused, image-led landing page with the art direction, structure, and technical foundation already prepared to expand.

A completed first version that Floor is very happy with—giving her a strong page to share today and a clear path to grow into her full portfolio in the future.

Tom is a signwriter and gilder in Hobart. He needed a portfolio that showed the craft without competing with it, plus a clear way to commission work.

A split-screen single-page site: image-led portfolio on one side, brand and services on the other. I optimised the custom font from 86KB to 13KB, served responsive images, and built a multi-step commission form.

A calm, fast site that lets the work speak and gives prospective clients a direct route to commission it.

A honey producer in Central Australia relied on market stalls and needed a practical way to sell beyond them. They assumed that meant Shopify.

I rethought the sales setup and built a low-cost store with direct Stripe checkout, without adding an unnecessary platform subscription.

Their first online sale came from a customer in another state.

A festival needed ticketing without paying platform fees.

I built a QR ticketing system linked directly to bank accounts, with custom payment descriptions and no platform in the middle.

3.5% saved on every transaction, so the festival keeps more revenue.

A local room-sharing idea needed to become real quickly.

I shipped a full-stack platform with listings, booking logic, and working flows in eight days.

The team could test the concept with a live product instead of a pitch deck.

Running multiple freelance jobs at once left tasks, client updates, and next steps scattered.

A free Next.js app that organises tasks by job and makes progress shareable with clients.

Something I use every day, built for myself and open to anyone.

An emerging Brussels research and design lab needed a home for its practice.

A minimal HTML/CSS/JS poster site with a manifesto, social links, and nothing extra.

A platform for MAMIE that can stand alongside its academic work and still feel like the lab.

A carbon-credit startup needed a way for investors to explore the product and its data, not just a pitch deck.

I built an interactive Next.js site with data visualisations, motion, and a narrative that develops as you scroll.

A working investor experience that makes the proposition tangible beyond the deck.

Isa is a project leader at CBK Rotterdam and wanted a simple personal site that works as a digital business card.

A focused one-page site with a flexible structure.

A clear professional presence now, ready to grow into something more as her work evolves.